2019.12.12moviezone-亚洲城ca88手机版官网
  • 2019.12.12moviezone
  • 作者:刘依凡杨楠 编辑: 广播台发布日期:2019-12-16浏览次数:

  在我第一遍看海上钢琴师的时候很难过,为什么1900要死,为什么他不去面对他心爱的人,踏上陆地开始新的冒险,为什么他要放弃掉自己的生命和才华。

现在,以我的平庸之资是这样理解一个偏执天才的台词的。

“陆上的人喜欢寻根问底,虚度了大好光阴。冬天忧虑夏天的姗姗来迟,夏天则担心冬天的将至。所以他们不停四处游走,追求一个遥不可及、四季如夏的地方—我并不羡慕。”

He had never left the ship since he was born, and the world he saw was simple and controllable.There is only sea beyond the ship.People talk and drink on the deck when the weather is good, and go back to sleep in separate compartments at night.One wave will come and the next will come.People think of a boat as a stopover on a journey, but as the main part of their lives.

People on land will search for many things.Playing the piano so good records, concerts, fame and acclaim, holding a large amount of money after the pursuit of a better life, be kidnapped by the people around, be kidnapped by your circle of life, not the four seasons like spring is full of defects and temptations to change kidnapped life.And all of this is the opposite of what he wanted to do in the first place.

我只是弹琴。不为证明什么,不为追求什么,不为获得什么。在琴中我可以获得自己的情感发泄,我可以自己编奏新的曲目来抒发新的心情,我可以完全掌控手中的88个键,这是一个完全安全,自由的空间。我存在于此,万事不能改变它。我与之契合。

Not to prove that I was a better player than anyone, not to applaud the pursuit of a large group of people I had never met, not to gain the reputation of worrying about money and moral entanglements.I'm on the boat. I've been on the boat.And don't envy the ever-changing continent that moves around.In that sprawling city there was everything except an end.There is no end.What I don't see is the end of it all, the end of the world.

影片前段讲到1900从精致的摇篮里抱出来,并且暗示他的父母为上层阶级。我愚昧的从这一点揣测他天生骨子里带着贵气与傲慢。他过人的天赋和从小没有双亲没有长在健全的家庭,没有一个完完全全的庇护所和被体贴入微保护与关怀的经历。他问什么是妈妈,丹尼。丹尼说妈妈就是是马。赌马买妈妈总没错。我觉得这是否可以认为他不是一个特别有安全感的人。

As a highly gifted child, he is entitled to be conceited about what he should master, instead of living on other things like other people.As long as there are 88 keys, he is the god who can create, the only king in this space, the master.So again and again he resists the land he has not touched, the endless streets, the rules of the terrestrial world that are beyond his grasp.

He hated being pushed out of control into a big, messy world, distracted by the unknown and perhaps the fear. Even if the girl he loved lived on 7 mott street, he could not overcome the fear and disgust and set foot on the unknown continent.

He didn't need the myriad options on land, the myriad people he would meet, as if he had always loved only the piano and only cared about the girl.

内向型人才的内心世界都是很丰富的,比如在Max问起1900他的创作灵感时,1900分析着现场观众,即兴为不同性格的观众编了曲子。每个凡人都是有故事的,这些故事,都是陆地给他们的,是他们社会属性的展现。内向型人才往往喜欢默默观察,然后开脑洞,看穿了别人的故事。但是,内向的人,时常拒绝上岸,拒绝融入社会,拒绝书写自己的故事。这种拒绝让他们很孤独。是很矛盾的那种孤独:一面拒绝上岸、拒绝承认自己的社会属性,一面又渴望交流,比如像1900那样,在深夜给陌生人打电话,希望能聊聊天。深夜打电话的1900这是1900对孤独的自己的安慰,也是他对大陆的一种试探。内向的人似乎都喜欢试探。可能他们内心对大陆、对社会还是有一丝的向往的,如果试探成功,也许会慢慢地敞开心扉,走出自己的船;如果试探失败,就默不作声,继续留在自己的船里,自娱自乐,就像1900那样,自编自演着琴曲,安慰说,看,我的曲子足够使我快乐,使我的小世界有趣。外人看了这表像,会称这个内向的人,是个有趣的人。但其实,自娱自乐就是对自我封闭的自救,这不过是对走不出自我屏障又不愿自暴自弃的最后一份倔强。有时自娱自乐惯了,又觉得这样就很好,还更不愿意敞开心扉了。当一个人自娱自乐的能力增加一分,就意味着,他心里通往陆地的大门,又关紧了一分。

Perhaps, if someone had been willing to accompany 1900 for a simple chat, let him realize that the mainland is not only endless street, but also a lot of warmth, so he will eventually have more than a courage to get off the ship.Unfortunately, the people on the phone refused to communicate with him, and 1900 only felt the strange and timid defensiveness of the land - and this defensiveness, indeed, has filled society.An ordinary introvert might lock himself in a small boat and lead a dull life.But 1900 is a piano genius, even if he did not get off the ship, there are people on board looking for him.

有趣的是,1900曾对Max说,陆地上的人总是浪费时间在问为什么上,可在Jully来挑战他时,他也问道“为什么要对决”。斗琴也是一种社会连接,这短暂的社会连接,使1900更像陆地上的人了。所以内向的甚至是自闭的抑郁的人,并不是异类,如果能给他们机会融入社会,你会发现他们同我们一样,并不古怪。斗琴片段几乎成为了电影史上的经典,香烟被琴弦点燃的瞬间,所有人都目瞪口呆。个人脑洞,烟是灵魂的象征。Jully的曲子,情绪感染力很强,连1900都为之落泪。这也许是因为,Jully来自陆地,体察社会给多,更懂人的情绪。所以当一个灵魂与Jully的曲子相遇,灵魂会和琴曲共同起舞。正如放在钢琴上的香烟,与曲子一同燃烧着。1900的曲子,技巧难度更高(极高啊),是用奇迹的惊艳,来点燃灵魂。但点然后的灵魂并不属于他。他不抽烟,只是点火的人。香烟因它而燃烧,却不属于他,与他无关。1900说自己不抽烟,将香烟戳进Jully嘴里就像平时在船舱里弹琴,他用琴声给人们带来了欢乐,消解了旅途的疲惫,点燃了他们灵魂的香烟。但一曲作罢,旅途结束,随着一声 “America” 的兴奋呼喊,所有人转身离去,内心洋溢着1900的琴声给他们的愉悦,宛若夹着1900为他们点燃的香烟
  1900 was a born pianist who could play such beautiful music without any guidance from others.But he never set foot on the land through the radio to understand the customs of the around, so that just aboard Max fool, he has his own pursuit, he has his own habits, in the ship him more know how to enjoy music, at the opening of the film's most attract people's attention is the Max 1900 led to vomit so entered the hall, rickety boat, but he walked as the ground of stable unexpected idea has brought people great joy.

1900坐在椅子上,他和钢琴随着大海的翻滚在大厅中无拘无束的游离,滑行。差点砸到脑袋的大吊灯,被破门而入气的吹胡子瞪眼的船长,一切的一切那么的似真似幻。倒在煤矿堆上还是依旧的谈笑风生,这是否就是真实的1900。他遇到过真爱,想要为此付诸行动开始他的另一个生活,但是故事往往不是我们所想的那样完美,或许到现在我还在疑惑为什么下船对他来说是如此的可怕,记得他曾经在甲板上站了很久,原以为他会带着对那个女孩的爱而去找他,但是他的脚步停下了,他站了好久,仿佛站了一个世纪,一个足矣让他思考完善的时间,他说陆地没有尽头。”这种没有尽头的感觉让他害怕,钢琴的琴键是有尽头的,这让他觉得安稳。
  吹着康恩牌小号的max也就是整个影片的线索,他引导着我们进入1900的世界,用他的眼睛看着1900传奇的一身,新的出发,他用他的小号成功的在船上谋得了职位,晕船让他偶遇了1900,最后的卖小号让他重新找到了他的朋友,一切的一切,似乎就在冥冥之中。让他跟1900有牵扯不断的联系。

Sometimes the genius in the story can also be a selling point that catches our attention. It is the loss of genius that makes us sigh. A little child can play intoxicating music without professional training.This in the film is still a mystery, maybe it is because the director is not directly points out we can more infatuated with the playing a good piano, 1900, and a fierce competition become us to understand his art medium, and piano masters title, although know the story about development trend from the start, but makes me wonder in the movie actor is capable of bringing so superb piano so extreme, perhaps as a piano layman maritime pianist to evaluate performance of the scene.The storyline in the film is also very tense in this section, which will make the audience breathless for a while, and it seems that there is a suffocating atmosphere everywhere, an aura that exudes from the two competitors, who were strong at that time, especially the performance of 1900, and there is a feeling that the newborn is not afraid of the tiger.

轮船是整部影片中最主要的道具,而整个影片也是在一艘远洋轮船上发生的人们因踏上陆地而兴奋,而他电影的主人公1900却选择永远的留在船上,等着时间流逝等着船渐渐老化,等着人们渐渐遗忘,在爆炸的前一刻他遇到了好友,原本想静静的消失,就像他静静的躲藏在废弃的游轮中等待毁灭,在油轮中成长,在游轮中度过他的欢乐时光,海是寂静的又是波涛汹涌的,他是属于大海的,辗转于各个国家,却从未离开船一步,那最漫长的等待也是在下船间的停顿,陆地上的世界是精彩的,但是就像中国的浮萍一样,离开了船离开了海他就没有了根,在期间也有动摇是不是他的胆量不够,没有人清楚,也没有人会理解,在影片的开始他了句话是从他的好友口中道出的“只要你有一个好故事,你就永远也不会被人忘记”。
 His inner loneliness is known by music, just like his language, he speaks life and expresses emotion with it.In one of these scenes, at night, in the ship's reception hall, he plays, his piano swaying from side to side in the hurricane and the big waves, on the smooth floor, to the music, turning left and right, and then gliding.It makes you feel as if his whole body and soul had been merged with the music, the ship and the sea.

他说过,他的音乐和他的人不分开,所以拒绝发布他的音乐胶片。我想,他的内心里,也一定这样笃信,他的这艘船和他的人,不能分开。生命仿佛自他被抛弃的那一刻起,就和这船联系在了一起。音乐,船,他,是“一”,永远无法分开。船的生命结束了,相信他的生命结束,也似乎成为了必然。这也许是他不离开的第三个理由。
   对家的深深眷恋,对生存方式的抉择要求,以及早就融为一体的共同的生命,促成了他的悲剧。
   然而这真的是悲剧吗?就像戏曲在最高潮处嘎然而止,人生在颠峰时刻隐退,情人们相拥着步入婚姻,我们看到了最完美的一幕,之后呢?看戏曲渐渐索然无味,人生逐渐走向低谷,爱情继婚姻之后埋葬在数不清的家庭琐事里,这就是最真实的世界。他的死,至少震撼了我们每个人的心灵,我们谁也无法想象这样的一位旷世奇才,走下船舶,是怎样开始他平凡的人生,开始变得庸俗乏味,追名逐利。我们不忍心看到这里,导演自然也不会忍心拍到这里。所以从某种意义上讲,这也许算不得是一幕悲剧。
In real life, for the choice of others, we may feel strange, just like the film, many people may also don't understand his choice, but, I want to say, no matter who, how to make choice, no matter how absurd, in our opinion is how unwise, how to don't understand, this is his choice.You are not him. You have not experienced what he has experienced. You have not understood what he thinks.
凌晨的晚上,看不清时间的逝去,蹲在马桶的边缘上,脑袋里还挤满了油画般色彩的维尼吉亚号,那美奂美仑的海边天际,1900随着巨轮的爆炸声消失了,就像他说的,反正这个世界也没人知道我,没有国家,没有名字,没有出生证明。萨特同志说“人生即是虚无,存在既是荒缪
 这一棒子打死了许多包括我这样的捧着一颗滚烫烫的心永远奔向美好新生活的热血青年。每个人都在存在的意义,也许是一个人,也许是一件事,再或许是你家养的小乌龟也不尽然。
 1900 was a born pianist and a born thinker. He was not afraid of the strangeness of the world and did not set foot on land, for a man who could even die with a smile on his face and tell a left-handed joke would have nothing to fear.He pursues the meaning of life existence, the sea is his world, the piano is his life, the Victoria is his world.Without any of these, he will not be able to breathe normally, just like a triangle. Although the triangle world is the most stable structure, the removal of either side will lead to the collapse of the whole world.1900 said goodbye, my world is in this ship, I can use 88 keys to play music as vast as the sea, here I can see the end of the horizon.

当火光亮起,六吨半的TNT埋葬了伟大而又无人知晓的19001900的朋友迈尔斯曾说过:你其实只需一小步,就上岸了!但是这一小步始终没有踏出,1900最后的一些让迈尔斯流泪的演说词更加说明了他对外面世界的不相信,恐惧感,一个没有尽头的世界毕竟比不起巨轮中简单的日子。
 人是惧怕新环境的,就像我们总喜欢蹲在自己被窝里添伤口一样,我们不只是不想让别人看到自己伤心,还因为我们怀念被子熟悉的味道……一旦空质量变了,我们的心也就飘荡不定了……是没有勇气还是我们习惯安逸?是没有本钱还是害怕失败?没有答案,一切都在发生,一切都流逝,生就是死的一部分罢了。就像双腿蹲在马桶上一样这么的不可思议又切实存在!


地址:湖北省武汉市常青花园学府南路68号 邮编:430023 联系电话:027-83922889 027-83955679

Baidu
sogou